Polismyndighetens bibliotek och kunskapstjänst

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*020  $a113754404X$qhardback
*020  $a9781137544049$qhardback
*020  $z9781137544056
*020  $qeBook$z9781137544056
*035  $a(OCoLC)on1083457535
*035  $a(SE-LIBR)s551g4gzqgcg3c6v
*041  $aeng
*050 4$aN8795
*08204$a364.16/287$223
*084  $aOer$2kssb/8 (machine generated)
*24514$aThe Palgrave handbook on art crime /$cSaskia Hufnagel, Duncan Chappell, editors.
*2461 $aHandbook on art crime
*264 1$aLondon, United Kingdom :$bPalgrave Macmillan,$c[2019]
*300  $axxix, 909 pages :$billustrations ;$c24 cm
*504  $aIncludes bibliographical references and index.
*5058 $tArt crime: exposing a panoply of theft, fraud and plunder /$rDuncan Chappell and Saskia Hufnagel --$tOne looter, two looters, three looters...The discipline of cultural heritage crime within criminology and its inherent measurement problems /$rMarc Balcells --$tArt crime literature: a general overview /$rVicki Oliveri --$tThe antiquities licit-illicit interface /$rBlythe Alison Bowman Balestrieri --$tINTERPOL and international trends and developments in the fight against cultural property crime /$rSaskia Hufnagel --$tArt theft: an examination of its various forms /$rDuncan Chappell and Kenneth Polk --$tUnsolved art thefts /$rVicki Oliveri --$t"Purely bent on mischief": theft from Australian museums 1870s-1950s /$rMaryanne McCubbin --$tProtecting works of art from theft /$rDeclan Garrett --$tRegional overviews of the policing of art crime in the European Union /$rNaomi Oosterman --$tRecovering stolen artworks: a practical approach /$rJames Ratcliffe --$tInsurance challenges and art crime /$rDorit Straus --$tStatutes of limitation and other legal challenges to the recovery of stolen art /$rPatty Gerstenblith --$tProfiling art forgers /$rNoah Charney --$tExamining art fraud /$rKenneth Polk and Duncan Chappell --$gCase study 1.$tBeltracchi and the history of art fraud in Germany /$rSaskia Hufnagel --$gCase study 2.$tThe Knoedler Art Forgery Network /$rDerek Fincham --$gCase study 3.$tA perspective from the fakery frontline---An interview with an art forger /$rDuncan Chappell and Saskia Hufnagel --$tUnmasking art forgery: scientific approaches --$tPlunder and looting: some historical reminders /$rValerie Higgins --$tThe criminal organization of the transnational trade in cultural objects: two case studies /$rNeil Brodie --$tThe Kapoor case including the stolen Shiva /$rMichaela Boland --$tCultural heritage offences in Latin America: textile traffickers, mummy mailers, silvers smugglers, and virgin vandals /$rDonna Yates --$tCultural heritage offences: a view from Asia /$rStefan Gruber --$tBones of contention: the online trade in archaeological, ethnographic and anatomical human remains on social media platforms /$rDamien Huffer, Duncan Chappell, Nathan Charlton, and Brian F. Spatola --$tForging antiquities: the case of papyrus fakes /$rMalcolm Choat --$tThe Gurlitt 'collection' and Nazi-looted art /$rSaskia Hufnagel and Duncan Chappell --$tBlue shield protection of cultural property: a perspective from the field /$rLaurie W. Rush --$tIconoclasm: religious and political motivations for destroying art /$rSam Hardy --$tIconoclasm and cultural heritage destruction during contemporary armed conflicts /$rJoris D. Kila --$tProtecting and preserving underwater cultural heritage in Southeast Asia /$rNatali Pearson --$tThe development of the Heritage Crime Programme in England /$rMark Harrison, Mark Dunkley, and Alison James --$tThe international politics of cultural heritage crime in Cambodia: past, present and future /$rTess Davis and Simon Mackenzie --$tPreventing illicit trafficking of cultural objects: a supply chain perspective /$rMariya Polner --$tThe return of looted objects to their countries of origin: the case for change /$rDavid W. J. Gill --$tIllicit antiquities in American museums: diversity in ethical standards /$rChristos Tsirogiannis --$tWhite-collar crime, organised crime and the challenges of doing research on art crime /$rSimon Mackenzie --$tIn vacuums of law we find: outsider poiesis is street art and graffiti /$rLucy Finchett-Maddock --$tTaking culture and the balancing act of power /$rJohn Kerr.
*520  $aThis handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.
*650 7$aKonststölder$2sao
*650 7$aArt theft$2ncjt
*7001 $aHufnagel, Saskia$4edt
*7001 $aChappell, Duncan$4edt
*852  $hI
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